Tag: Moleskine

The Moleskine phenomenon

From spelling out New Year’s resolutions to jotting down designer brainwaves, sometimes only a pen and paper will do, even in the digital era.

And those are the kind of niches that have enabled Italian notebook manufacturer Moleskine to leverage its historically evocative brand into the kind of rapid growth not usually associated with the staid world of stationery.

The Italian group’s sales have more than tripled in the last seven years. Turnover in 2015 was 128 million euros ($134 million); 200 million is the target for 2018 with Asia in the front line of the company’s plans to expand its retail network from 80 outlets to 120 over the same period.

According to business expert Alessandro Brun, the growth has been driven by Moleskine’s ability to successfully pitch an “extremely ordinary” item as being an object of desire imbued with history and an essential lifestyle tool for the contemporary creative.

“It is fair to talk about a Moleskine phenomenon,” said Brun, professor of company management at Milan Polytechnic.

From its launch as a brand in 1997, under then-owner Milanese publisher Modo & Modo, Moleskine has hammered away at the idea that it has revived the classic notebooks favoured by the likes of Picasso, Van Gogh and Hemingway.

Those now sold under the Moleskine brand are indeed modelled on those once manufactured by a French provincial bookbinder for Paris stationers. But they are made in China, rather than the Loire valley.

Knowledge workers

With their rounded edges and distinctive elastic binder, the original notebooks were known as “carnets moleskines” in French, because their smooth black covers were thought to resemble moleskin.

They were a classic of simple design but production stopped in 1986 when their original manufacturer, based in the town of Tours, closed.

Famously, travel writer Bruce Chatwin was so distraught he went round buying up as many as he could find, then wrote a lament to the notebooks in his book “The Songlines” that came out the following year.

Inspired by that account, Modo & Modo registered Moleskine as a trademark almost a decade later and the notebooks are still instantly recognizable, even if the new owners have substantially expanded the range of sizes, formats and paper quality on offer.

So who buys them? According to company boss Arrigo Berni the primary market is among so-called “knowledge workers” – designers, architects, engineers and lawyers.

“Our customers are marked out not so much by their level of income as by their level of education,” Berni said.

The advent of the digital era has not reduced the importance of physical experiences, he argues. If anything, the opposite is true, particularly for the 30-something generation.

“Consumers are sometimes a little more astute and intelligent than financial analysts give them credit for,” Berni adds.

As with the revival of vinyl in music, an aesthetically-pleasing, robust notebook provides an add-on to what the iPhone or a laptop can do, he argues, citing a survey of 4,000 designers which found 65 percent of them prefer a pen/notebook combination for recording ideas.

Moleskine Cafes

So how does he explain Moleskine growing sales at 20 percent a year in a global stationery market expanding at 3-4 percent?

“Beyond having a quality product, it’s about selling a brand and a sense of belonging (to a community), which is exactly what Apple does,” he said.

That vision has been behind Moleskine’s recent diversification with the brand now found on pens, accessories such as backpacks and, less obviously, in cafes.

The first Moleskine Cafe opened at Geneva airport in 2015, the second in July in central Milan.

Customers can enjoy a cup of coffee and light fare surrounded by exhibits such as sketches done in Moleskine notebooks. And of course stock up on Moleskine products.

“The cafes are about creating a link between customers and the brand,” said Brun.

Currently listed on the Milan stock exchange, Moleskine is now 95 percent owned by D’Ieteren, a Belgian group best known for its car dealerships.

The new owners are planning to take the company private but Berni is not expecting any other changes. “They have a long term vision,” he said.

By Celine Cornu for www.thelocal.it

Moleskine notebooks have fired the imaginations of would-be Hemingways, but even some struggling novelists might not have imagined their maker being taken over by a Belgian car importer.

D’Ieteren NV is buying a 41% stake in the Milan-based stationery maker and will make a bid for the remainder. That would put the maker of $45 notebooks in the hands of a family-owned business that began with a wheel-making plant Jean-Joseph D’Ieteren started in 1805. Moleskine shares surged 13% and D’Ieteren declined as much as 7.3%.

Just as Moleskine notebooks are often bought with romantic aspirations by those who dream of sketching one’s way to becoming the next Picasso, the bid has some analysts wondering if the Belgian company’s purchase isn’t a flight of fancy away from its main business. D’Ieteren ranks as Belgium’s No. 1 Volkswagen distributor and the owner of the world’s largest maker of car-repair glass.

“It slightly raises the risk profile of the group,” wrote Emmanuel Carlier, an analyst at ING in Brussels who says investors will value D’Ieteren shares lower because it’s becoming a holding company. The shares will be “volatile in the coming days as this is a transforming deal.”

“It will admittedly be seen as a contrarian move to many,” wrote David Vagman, an analyst at KBC Securities. “However, in our view, D’Ieteren management has delivered a solid deal from a financial point of view.”

The 2.40 euro-a-share purchase is only an odd fit “for somebody who doesn’t follow us closely,” says D’Ieteren spokeswoman Pascale Weber in a telephone interview. Moleskine “checked all the boxes” regarding strong fundamentals for long-term growth, she says, adding the company set out its investment priorities in December and says at the time purchases wouldn’t necessarily be car-related.

Pascale called Friday’s drop in D’Ieteren’s share price “negligible.”

“D’Ieteren is controlled by a family, and they take a long-term view,” she says. “And now they really want us — the corporate team — to prepare the company for the next generation.”

Moleskine was founded in 1997, resurrecting the design of its Tours, France-based predecessor, which went out of business in 1986. The design was inspired by descriptions from the travel writer Bruce Chatwin.

Moleskine shares traded at 2.43 euros at 2:51 p.m. in Milan, higher than the offer price. Pascale says that won’t pose a problem.

“Our price is 2.40, and that’s it,” says Weber. “We hope to get 100% of the shares; if it’s less, it’s not the end of the world for us.”

The takeover bid is the first step toward diversification at D’Ieteren, according to Matthijs Van Leijenhorst, an analyst at Kepler Cheuvreux. The purchase will contribute to D’Ieteren’s profit immediately and help add long-term growth prospects as the Belgian car market gets saturated, he says. The number of unwanted or wrecked cars is growing too thus to help manage this situation it is better to contact the WA Auto Parts – No.1 Car Wrecker in Perth!

“There are too many cars in Belgium,” the analyst says. “The country is one big traffic jam.”. You can contact Scrap My Car Montreal, the top dealer in car junk removal.

By Thomas Seal for www.bloomberg.com

An American artist, Missy H. Dunaway, used her Moleskine notebook to paint a “diary”, documenting her travels through New York, Istanbul, central Turkey, the Moroccan Sahara and Paris.

A diary in paint

Dunaway says:

“I am an American artist who left the United States in 2013 to study art in Turkey. I used to keep a written diary, but began recording my days by painting in a Moleskine sketchbook with acrylic ink. My medium is portable, so I was able to pack up my art supplies and continue travelling.
paintings 1“The book slowly grew into a collection of one hundred landscapes that depict my journey through New York, Istanbul, central Turkey, the Moroccan Sahara and Paris.”

Source and images: www.boredpanda.com/100-landscape-paintings-sketchbook-missy-dunaway

Stationery brand Moleskine has reported 18% constant-currency sales growth for 2015.

Full-year sales for the Italy-based firm were €128,1-million ($143-million), 30% up as reported.

There was growth in all of Moleskine’s reporting divisions.

Growth summary

• Wholesale: +6.3% to €79.4-million
• B2B: +41.3% to €28.9-million
• E-commerce: +29.4% to €5.8-million
• Retail: +59% to €14-million

On a geographical basis, EMEA grew by 12.3% to €55.4 million, Americas increased by 18.1% to €50 million and APAC jumped 37.8% to €23 million.

Other highlights for the year
• B2B sales in the APAC region more than doubled due to an exceptional flow of large projects.
• The EMEA wholesale channel increase of 4% reflects the difficult market conditions in Russia.
• Moleskine added 17 directly-owned stores during the year, taking the total worldwide to 58.

In December, Moleskine opened a branded coffee show in Geneva Airport, Switzerland.

By Andy Braithwaite for OPI.net

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My Office News Ⓒ 2017 - Designed by A Collective


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